Tags
- 9
- Added tone chord
- Altered chord
- Aron Kallay
- Arpeggio
- Augmented triad
- Barre chord
- Bird changes
- Blue note
- Cadenza
- Call and response
- Chord
- Chordioid
- Chord names and symbols
- Close and open harmony
- Coltrane changes
- Common chord
- Common tone
- Comping
- Contrafact
- Diatonic and chromatic
- Diatonic function
- Diminished seventh chord
- Diminished triad
- Dominant
- Dominant seventh chord
- Dominant seventh sharp ninth chord
- Extended chord
- Factor
- First inversion
- Free improvisation
- Gamelan
- George Shearing
- Groove
- Guitar chord
- Half-diminished seventh chord
- Harmolodics
- Harmony
- Ii–V–I progression
- International Standard Book Number
- Inversion
- Ivo Perelman
- Jam band
- Jam Session
- Jazz
- Jazz chord
- Jazz harmony
- Jazz improvisation
- Leading-tone
- Lead sheet
- Live electronic music
- Magic chord
- Major chord
- Major seventh chord
- Matthew Shipp
- Mediant
- Melodic pattern
- Melody
- Minor chord
- Minor major seventh chord
- Musical improvisation
- Music theory
- Mystic chord
- Neo-romanticism
- Ninth chord
- Octatonic scale
- Octave
- Open chord
- Outside
- Parallel and counter parallel
- Passing chord
- Petrushka chord
- Phil Moore
- Polyrhythm
- Power chord
- Primary triad
- Quartal and quintal harmony
- Rhythm changes
- Richard Cameron-Wolfe
- Root
- Secondary chord
- Secondary dominant
- Second inversion
- Seventh chord
- Sixth chord
- Slash chord
- So Cute
- Subdominant
- Submediant
- Subtonic
- Supertonic
- Suspended chord
- Swing
- Syncopation
- Synthetic chord
- Tertian
- Tetrad
- Thirteenth
- Tone cluster
- Tonic
- Triad
- Turnaround
- Twelve Bar Blues
- Upper structure
- Voice leading
- Voicing