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- A
- A-flat major
- Anton Bruckner
- Antonín Dvořák
- Anton Reicha
- Arcangelo Corelli
- Arnold Schoenberg
- Artur Schnabel
- Bar form
- Baroque
- Baroque music
- Beethoven
- B-flat major
- Binary form
- B major
- B minor
- Bridge
- Brilliant Classics
- Bruckner
- Cadence
- Cadenza
- Call and response
- Cantata
- Canzona
- Carl Czerny
- Carl Maria von Weber
- Cell
- Cello Sonata
- Chamber music
- Chapeau!
- Charles Rosen
- Charles-Valentin Alkan
- Chopin
- Church of Satan
- Circle of fifths
- Citizen Lab
- Clarinet Quintet
- Clarinet Sonata
- Classical music
- Classical period
- C major
- Coda
- Concerto
- Conclusion
- Consonance and dissonance
- Cycle
- Daniel Barenboim
- Death and the Maiden
- Della
- Della Musica
- Development
- D-flat major
- Diatonic scale
- D minor
- DOI
- Domenico Scarlatti
- Dominant
- Draguignan
- Drop
- Edward Elgar
- E-flat major
- Eine Kleine Nachtmusik
- E major
- E minor
- Encyclopædia Britannica Eleventh Edition
- Exposition
- Fact
- Farnese
- Felix Mendelssohn
- Figured bass
- Finale
- Flute Sonata
- F major
- F minor
- Formula composition
- Franz Schubert
- Fugue
- Function
- Georg Philipp
- Georg Philipp Telemann
- G-flat major
- Giovanni Battista Pergolesi
- G major
- G-sharp minor
- Gustav Mahler
- Hans Keller
- Harmony
- Haydn
- Henryk Wieniawski
- Hook
- IL-24
- Instrumental
- International Standard Book Number
- International Standard Serial Number
- Introduction
- Italiana
- Italian language
- Jean Sibelius
- Johannes Brahms
- Joseph Haydn
- JSTOR
- Just intonation
- Leitmotif
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- Liturgical music
- Ludwig van Beethoven
- Maggio
- Major and minor
- Martha Long
- Mass
- Mass in the Catholic Church
- Matthew Halls
- Mediant
- Melody
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- Mozart
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- New World Symphony
- Nostro and vostro accounts
- OCLC
- Orchestra
- Ostinato
- Overture
- Pettinengo
- Phrase
- Piano
- Piano Concerto
- Piano Concerto No. 1
- Piano Concerto No. 5
- Piano Quintet
- Piano Sonata
- Piano Sonata No. 14
- Piano Sonata No. 16
- Piano Sonata No. 2
- Piano Sonata No. 23
- Piano Sonata No. 29
- Piano Sonata No. 8
- Polytonality
- Post-chorus
- Prelude
- Proper
- Pyotr Ilyich Tchaikovsky
- Recapitulation
- Relative key
- Repetition
- Reprise
- Rhythm
- Richard Strauss
- Riff
- Robert Schumann
- Romantic music
- Rondo
- Schenkerian analysis
- Secondary chord
- Serenade No. 12
- Seventh chord
- Six Sonatas for Violin and Harpsichord, BWV 1014–1019
- Slow movement
- Sonata
- Sonata da camera
- Sonata da chiesa
- Sonata form
- Sonatas and Interludes
- Sonatas and Partitas for Solo Violin
- Sonatina
- Song structure
- Sostegno
- Stanley Sadie
- String Quartet
- String Quartet No. 14
- String Quintet
- Strophic form
- Subdominant
- Symphony
- Symphony No. 1
- Symphony No. 11
- Symphony No. 2
- Symphony No. 3
- Symphony No. 31
- Symphony No. 34
- Symphony No. 4
- Symphony No. 40
- Symphony No. 5
- Symphony No. 6
- Symphony No. 7
- Symphony No. 8
- Symphony No. 9
- Tempo
- Ternary form
- Texture
- The Barber of Seville
- The Marriage of Figaro
- Theme
- The New Grove Dictionary of Music and Musicians
- Thirty-two-bar form
- Tonality
- Tonic
- Transition
- Trio sonata
- Variation
- Verse–chorus form
- Vespers
- Viola Sonata
- Violin Concerto
- Violin Concerto No. 2
- Violin Sonata
- Voice leading
- Wolfgang Amadeus Mozart